|
|
PILAR BAYONA
|
| "PILAR
BAYONA" GREAT SOLOISTS SEASON |
|||
| 2019: TWENTY-SECOND EDITION PROGRAMME | |||
| March the 26th | |||
| Philippe Entremont (piano) | |||
| Debussy: | Images, 1st series | ||
| Pour le piano | |||
| Ravel: | Sonatine | ||
| Alborada del gracioso (Miroirs) | |||
| Schubert: | Sonata D 960 | ||
| April the 9th | |||
| Javier Perianes (piano) | |||
| Chopin: | Nocturnes Op. 48 | ||
| Sonata No. 3 Op. 58 | |||
| Debussy: | Estampes | ||
| Falla: | Cuatro piezas españolas | ||
| The Three-Cornered Hat | |||
| May the 21st | |||
|
Benjamin Grosvenor (piano) |
|||
| Schumann: | Blumenstück Op. 19 | ||
| Kreisleriana Op. 16 | |||
| Janacek: | Sonata 1.X.1905 | ||
| Prokofiev: | Visions Fugitives Op. 22 (selections) | ||
| Bellini / Liszt: | Réminiscences de Norma S. 394 | ||
| June the 20th | |||
|
Grigory Sokolov (piano) |
|||
| Beethoven: | Sonata No.3, Op. 2 No. 3 | ||
| Eleven new Bagatelas Op. 119 | |||
| Brahms: | Klavierstücke Op. 118 | ||
| Klavierstücke Op. 119 | |||
| September the 23rd | |||
| Michael Andreas Haeringer (piano) | |||
| Mozart: | Fantasy KV 397 | ||
| Beethoven. | Sonata No. 14, Op. 27 No. 2 | ||
| Liszt: | Sonnet of Petrarch 104 | ||
| Vallée d'Obermann S. 160 No. 6 | |||
| Rhapsodie espagnole S. 254 | |||
| Waldesrauchen S. 145 No. 1 | |||
| J. Strauss / S. Evler: | Variations Blue Danube | ||
| Liszt: | Hungariann Rhapsody S. 244 No. 6 | ||
| October the 1st | |||
| Elena Bashkirova (pianos) | |||
| Mozart: | Sonata No. 13 KV 333 | ||
| Schumann: | Humoreske Op. 20 | ||
| Beethoven: | Sonata No. 11 Op. 22 | ||
| Bartok: | Sonata Sz. 80 | ||
| November the 18th | |||
| Duo Witkowski (pianos) | |||
| Undetermined programme | |||
| December the13th | Homage to Pilar Bayona on the 40th aniversary of her death | ||
| Joaquín Achúcarro (piano) | |||
| Chopin: | 24 Preludes Op. 28 | ||
| Debussy: | La plus que lente | ||
| La puerta del vino (Preludes) | |||
| La soirée dans Grenade (Estampes) | |||
| Falla: | Le tombeau de Debussy | ||
| Ravel: | Gaspard de la nuit | ||
|
For more information about this Course, you can visit the Auditorio de Zaragoza webpage
|
|||